a5c7b9f00b In psychedelic swinging 60s style, the dreaded thief (and killer) Diabolik wreaks havoc on a generic European country for his own financial gain and amusement. He shares an extravagant underground lair (and a giant bed of money) with his curvaceous, superficial girlfriend…who uses her awesome powers of wig-wearing to help Diabolik kill innocent people and steal billions from the government. Nonetheless, Diabolik is the "hero" of the film because he must face off against bumbling cops and revenge-seeking mafiosos.
International man of mystery Diabolik and his sensuous lover Eva Kant pull off heist after heist, all while European cops led by Inspector Ginko and envious mobsters led by Ralph Valmont are closing in on them.
This one is perfectthe final MST3K to be produced. It's even funnier with Mike and the robots bagging on it. It is like a bad version of those In Like Flynt films. That is saying a lot. Watch the MST3K version and you'll save yourself from brain damage.
MST3K and its followers seem to have completely missed the point on this one. DIABOLIK is SUPPOSED to be funny. And it is. On purpose. Viewing this movie with the snickering, juvenile amused contempt of MST3K is pointless. How can you make fun of a movie that's making fun of itself? It's like watching the old BATMAN TV series and complaining because the action isn't realistic or hard-hitting enough! If MST3K wanted to pick on a Bava movie, they should have done DR GOLDFOOT AND THE GIRL BOMBS! Fortunately, we're now rid of MST3K, hopefully forever and not soon enough to suit me.<br/><br/>As for DIABOLIK itself, it's a rollicking, tongue-in-cheek spy thriller spiced with sumptuous visuals, courteousy of Mario Bava, the master director of Italian horror and fantasy films. Bava paints in vivid primary colors and adds plenty of eye-catching flourishes, suchthe long tracking shot when we first enter Diabolik's hideout. If you can find a widescreen version of the film, see it that way – it's the only way to fully appreciate Bava's artistic, almost mathematically precise compositions. The characters are one-dimensional, but considering the story's comic book origins, that follows naturally. Although it's a far cry, in terms of content, from Bava's bloody giallo chillers, DIABOLIK ranks among the director's most stylish and enjoyable entertainments.


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